A poem read during a vigil for the Remain in Mexico policy (MPP, Migrant Protection Protocols). Two years of Trump’s policy which, in effect, removed protections for migrants, keeping them at the border trying to survive, because the country refused to allow them in.
don’t call them the voiceless
migrants or asylum seekers
– those who passed countless borders,
who left all they knew because they were persecuted for their beliefs,
chased from their neighborhoods, their lives threatened,
their children doing without,
the scarcity of food, safety,
jobs –
all for the promise this country offers
Jose Marti says “los grandes derechos no se compran con lagrimas,
– sino con sangre”
this is what it costs to survive,
to wrap into heart muscle the strength and insistence
to complete each day
so that their families have the chance at a better life
sometimes only a few feet away
that this unflowered promise and the scarcity of a life
is better than where they’ve traveled from,
sometimes safer than the uncertainty of their former lands…
and Americans?
we have forgotten our nature is to migrate,
to find safety, to build in a place that will be home,
to carry that desire in our bodies
without doubt
trusting our ability to protect and provide
for ourselves and our families
something in us long ago lost
lost the understanding that we or our families
were born in the same circumstance
this land never ours,
from the Lenape to the Coahuiltecan
we thrust ourselves here
after all that had been inhospitable, unforgiveable
we have forgotten to be gracious
we have forgotten to allow others’ dreams to blossom in this soil
just as our dreams once did
we have forgotten
and this is how we lose ourselves
even while these voices insist,
voices longing to be part of us,
who know survival is not a life
but still blood moves all of us
blood moving, no time for tears
with dignity, face to face with the layers and layers of denial in this world,
acres of hurt contested, denied, and saturated with the history and blood of people
who have worn down their welcome, been cast aside, approached us, and were denied
as a country we speak of forefathers
inheritance and pride
everything we debate rooted in the conditional
we haven’t yet learned
we inherit only what we offer others
tell me: if all we must do is feed ourselves and feed others,
who feeds those who have built temporary shelters, share food along the border?
who embraces those who attempt to cross, only to drown?
who will hold us accountable because we have lost our way?
who will remind us of that promise of life, liberty, and the pursuit of happiness?
how long until we realize that to deny any who need our help
means we deny ourselves a life of self-respect?
of open arms?
how long until we see we are at the border,
watching the horror of our own acts?
how long until we recognize
we are the ones who hear no one,
who do not see,
who are the truly voiceless?
Joaquin “Muerte” Abrego (Percussion, Chorus), born in the barrio of San Felipe in Del Rio, began his professional music career 16 years ago in San Antonio as a street performer playing percussion and guitar. He has been playing music since he was a child and is a founding member of three local bands that compose original music: Los Nahuatlatos, Eddie and the Valiants and the San Antunes. Joaquin is creator of the Xicanx Versus Aliens podcast, available on Anchor and other platforms. He is also a traditional Danzante conchero, whose roots go back to pre-Hispanic America. He is a community health worker and community organizer in poor communities of color. Joaquin’s many other titles include chef, gardener, father, and husband.
Jess Hawkins 
Barbie Hurtado (Technical Development) is a fat queer chicanx activist and organizer who works with the San Antonio International Woman’s Day March, and Planned Parenthood. They are passionate about serving their community and are constantly learning, evolving, and growing. Barbie believes in sharing arte y cultura with their community as a teatrista and cultural worker. They write about las dolencias y alegrias de la vida but do not call themselves a writer. Barbie can be found around town leading chants on a megaphone, playing the jarana with Son Queers, or transforming into their alter ego Pancho Panza and dancing to Juan Gabriel.
Joyous Windrider Jiménez (Director, Video Editor) is a multi-disciplinary artist, educator, and mother of one son. A San Antonio native, Joy spent nearly a decade abroad, where she helped diverse minority groups tell their stories. Since her return in 2009 she has presented her poetry, theatre, and visual art pieces in venues around the city. Joy has facilitated the production of over 50 original plays created by and for San Antonio youth. She currently teaches for Gemini Ink and The Magik Theatre. Joy is also the co-founder of Raise The Whisper, a writing and art collective for those affected by family rape and 
sexual abuse.
Jaime Ramirez (Composer, Musical Director) is a San Antonio-based music director, composer, and pianist with a BA in Music from UTSA whose work has largely been in theater and circus worlds. He was Resident Music Director at The Magik Children’s Theatre (2000-2007) and continues to direct throughout the city. To date he has scored seven professional theatrical productions and been awarded ATAC awards for Best Original Scores (2010, 2011) and Best Music Direction (2016, 2017). Jaime also toured as lead keyboardist for Ringling Bros. Barnum & Bailey Circus (2007-2010).
Bianca Sapet (Primary Vocalist) is a Xicana singer/songwriter , native to San Anto, Tejas, who strongly believes music can heal, transform, and transmute ancestral, spiritual knowledge; that music is one of the ways in which to bring about social change. Her life informs her music porque vida es arte y arte es vida. She is currently at work on an album.
Lilith Tijerina is a San Antonio native teatrista pursuing a career in performance art, lighting design, and acting. As she navigates through an ongoing struggle with identity, her work reflects personal experiences of oppression, trauma, and healing as a brown Chicana artist. She has a BFA in Theatre, Performance and Production and a Minor in Latina/o Studies from Texas State University.
